The source of the beach stones: an interlude

Sometimes my best work is done ‘on the way to work’—in other words, when I don’t think I’m working at all.

Late one afternoon, when the tide was very low, I walked down to the small cove where I had gathered the most colourful stones. My intention was to explore the area and determine some suitable spots to set up my ‘altered stones’.

The light was lovely, long soft shadows falling across the sand and drifting across the water. Absent-mindedly, I began aiming the camera. Excitement grew, as everywhere I turned the viewfinder sand and water ripples called insistently ‘take me!’  For the next hour or so (I lost track of time) I was lost in a magical world of light and shadow and reflections.

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Later I created a series of cards, printed on watercolour paper. I couldn’t decide whether I preferred the images in black and white or colour, so produced a series of cards in each.

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I’m not often satisfied with my work, but I really liked these images and cards. There was something particularly pleasing about the combination of slightly textured ivory-coloured paper teamed with kraft envelopes. I thought I might even have bought them if I’d seen them in a shop, created by someone else.

For the first time in ages I felt I had a ‘direction.’

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